Friday Catblogging comes to IMAO

Since it’s Friday, I thought I’d spread the joy of humor-free, apolitical Friday Catblogging to IMAO.
Live, via webcam, Nardo hunts a toy frog:





If you’re not sure how this tragic scene pertains to IMAO, since IMAO is famous for that “political humor” thing. If you must have some semblance of politics or humor in everything you read here, just assume it’s a frog that tragically lost a brave and heroic tadpole in Iraq, got a personal audience with President Bush after which she considered him sincere and sorry and feels pain for their loss, and then a year later was brainwashed by Michael Moore and other professional hardcore leftists into wailing like a banshee outside the president’s ranch in Crawford while blogging about meeting Viggo Mortensen on Huffington’s virtual watercooler full of Moonbat Juice.
Nardo represents… um… Karl Rove. But without Karl’s malicious evil bloodthirsty animal cunning and killer instincts.
(For more animal goodness, try the Friday Ark)

No Comments

  1. The.Cat.Represents.Karl.Rove.
    Oh, that’s pure Genius! Let us consider the story board from French Cinematic perspective, shall we.
    Director extraordinaire, Laurence Simon, blocks the shots carefully. The tiger slinks into the room and surveys the toys. They represent the petit victims, and quake with dread.
    They are the Iraqs, the Belgiums, the Hippies of this world. Will they have their oil stolen? Will they be callously tossed into the air and allows to plummet to their carpety doom? Are they filled with catnip, and destined to be drooled upon?
    It is none of these things. Karl Rove has an appointment with the cat box.
    The stench will be, how you say, considerable, and he does not cover up his log, as a gesture of contempt for all things liberal.
    The petit victims breath a sigh of relief. They are safe, for now.
    But what of tomorrow?

  2. “Um… he attacks an elephant toy tomorrow?”
    Mon dieu, NON! The evil Rove attacking the symbol of the equally eeeevil Republican party? That would run contrary to the ideals of the French Cinematic community.
    Now that the American people have dismissed their only chance of cultural redemption, (I am, of course, referring to Jean-François Kerry, who also served in Vietnam) the French film industry regrettably must turn its’ back on all things American, and must focus on promoting French cultural icons, such as the Louvre, the Guillotine, and EuroDisney.

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