Here’s a sound tech writing on a site:
Any of the NFL events I mixed Front of House for: I always wanted some fader time experimenting with blending that high rise canyon delay and verb, with both dry and effected audio from a big PA and solid talent.
No joy yet. For some odd reason, I could not even get any reflections from a glass and crete facade directly across from the stage, not even walking to that surface, remote mixing surface tablet in hand.
Direct sound only… no idea why.
It truly amazes me how much I truly don’t know. It’s like when Caleygraph posts a comment!
I think that last sentence is advice to someone transitioning from a marching band conductor to an orchestral conductor.
Just an adjective away from a Star Trek reference.
Fascinating.
I think his problem is his aelerloomin is not syncing with his stenectikaphon. He just needs to up the feed of his ponsmitter to a more cromulent level. That should do it.