11 Comments

  1. I used to drive my husband crazy by identifying the murderer – who had no apparent motive or connection with the victim – very early in mystery movies, often within minutes of the murderer’s appearance in the story. SPOILER ALERT. If a minor character with no relationship to the main characters is given more than a minute’s worth of screen time fairly early in the movie, he or she is the murderer. There is no other reason to waste time on him or her. The motive and connection will be revealed later, often in a shocking twist, but you can predict the outcome without knowing any of that. Characters without an obvious connection to the plot do not get screen time. This method does not work for Roger Ackroyd-type situations where the idea is to build trust in someone and then pull the rug out – in such movies, everyone is a red herring and they all have plenty of screen time. If there is an anomalous character, however, given a bit of screen time and exposition for no apparent reason, this method is surprisingly accurate. “He did it.” “What? Why? Huh?” “He has no other reason for being in the movie.” “That’s ridiculous.” [98 minutes later] “I hate you.”

  2. I don’t know what the trope is called (I know there’s a website dedicated to them) but when the victim/witness/associate goes to the killer’s office/home/lair to wag their finger at him and tell them they’re going to the police “RIGHT NOW” then the next scene is usually the dumping of the victim/witness/associate’s body.

    Ha! Diagram THAT sentence.

  3. The simplest way to tell who the guilty party is: It’s the white, male, practising Christian. Thats the only reason they’d have such a character in the show. And even if he didn’t commit the crime he’s still guilty of being a white, male, practising Christian.

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